Two talented queer artists of color are raising their voices against a Texas museum's decision to label their work as "mature content." This designation was applied despite the absence of any sexual imagery in the pieces, with the only notable element being the portrayal of gay individuals.
The artists, rafa esparza and Fabian Guerrero, are showcasing their multidisciplinary installation “Querías Norte” in the Amon Carter Museum of American Art’s current exhibition titled “Cowboy.” The focal point of their installation is esparza’s painting “al Tempo,” a poignant depiction of two dark-skinned men, fully dressed in cowboy attire, sharing a tender kiss while dancing.
The “Cowboy” exhibition, which features contributions from 28 artists, aims to challenge and redefine the traditional stereotypes surrounding the cowboy image. It endeavors to explore themes of masculinity, gender, and diversity within the cowboy mythos. According to a statement released in November 2023, the exhibit seeks to disrupt the conventional image of the cowboy as a white, cisgender male and instead highlight diverse representations across various communities.
However, the initial reception of the exhibit faced challenges. Not long after its opening on September 28, the museum quietly closed the exhibit without any public explanation. When it reopened, patrons were met with a sign warning of "mature content" and a QR code to preview the works beforehand.
The Fort Worth Reporter highlighted in October that significant changes had been made concerning the exhibition's promotion. Banners advertising “Cowboy” were removed from the museum's homepage, and billboard advertisements around Fort Worth were noticeably reduced. Additionally, several family-oriented events initially planned around the exhibition were canceled.
The museum has not clearly identified which pieces of artwork they consider to be "mature content," despite requests for clarification from numerous outlets. Interestingly, other galleries within the museum that feature nudes or portray violent imagery do not carry the same warning label.
In discussions with the museum’s curators, Guerrero and esparza were informed that the "mature content" warning was in response to complaints regarding the exhibition's portrayal of sexual identity. Internal sources revealed that museum staff were caught off guard by both the temporary closure and the subsequent reopening with the warning. The museum’s chief operating officer, Scott Wilcox, has remained tight-lipped about the underlying reasons, merely noting that a board member had received a complaint about the exhibit.
In response to inquiries, a museum spokesperson stated that the exhibition presents a novel perspective on the American cowboy, which requires time for preparation and adjustment in messaging for visitors. They acknowledged that feedback had influenced changes to family and homeschool event content. They also mentioned that the museum aimed to consider community feedback by offering visitors a preview option.
esparza criticized the warning as a form of censorship during a recent artist talk, questioning how a painting of a Black cowboy could necessitate a "mature content" disclaimer. “What would it feel like for an artist if someone came in and said, ‘Hey, I’d love to invite you to see the show, but I have to warn you, you’re going to see a painting of a Black cowboy,’” esparza asked rhetorically. The absurdity of the situation was further highlighted when he compared it to warning someone about seeing a woman riding a horse – something normal in the realm of cowboy culture.
Guerrero highlighted the importance of allowing space for queer joy in art, especially in museums that often exhibit works depicting historical violence and oppression. “Our project, you’re just seeing two men dancing together, and there’s no harm to that,” he noted. He advocates for a broader acceptance of diverse expressions of love and identity.
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"Cowboy" is on display at the Amon Carter Museum of American Art until March 23. Let your voice be heard and support the diverse representations of American history and culture.
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