Rebecca Black: Embracing Authenticity and Finding "Salvation"
In the vibrant atmosphere of London’s queer music festival, Mighty Hoopla 2024, Rebecca Black took to the stage in a denim corset and a purple miniskirt, exuding confidence as she wielded a diamante chainsaw. Despite sharing the bill with music stars like Nelly Furtado, Jessie Ware, and Rita Ora, Black captivated the audience, marking a significant moment in her artistic journey.
For Rebecca, this performance was more than just a set; it was a powerful declaration of self-discovery and liberation. As she reflects from her home in LA, she shares, "There’s been a cathartic release of fear in my life. Holding on to the idea of having nothing to lose has energized me. It feels right, and I’ve never felt more like myself."
Originally, Rebecca was set to debut her 2024 single "TRUST!" at the festival, a track characterized by electric guitar riffs and a whip crack, fitting for a BDSM-themed anthem. However, industry delays and LA wildfires postponed its release. Now, she presents Salvation, a seven-track project embracing Y2K hyperpop, industrial EDM, and horror-pop, featuring songs like "Sugar Water Cyanide" and "Twist The Knife".
On the title track, Rebecca sings, "I don’t need you to save me, I already saved myself," highlighting her journey to self-reclamation. This path was not easy. At 13, Rebecca was thrust into the spotlight with her viral song "Friday," a track that faced intense scrutiny and ridicule. The music video became YouTube’s most disliked at the time, and Rebecca endured significant backlash.
Reflecting on those years, Rebecca acknowledges how she had to redefine herself beyond the caricature created by the world. On the 10th anniversary of "Friday," she released a hyperpop remix, collaborating with artists like Big Freedia and Dorian Electra, demonstrating her evolution and resilience. Today, she embraces the freedom to experiment, as evident in her 2021 EP Rebecca Black Was Here and her debut album Let Her Burn in 2023.
"I feel like I’m closer to the girl I was before 'Friday'," Rebecca says. "I have so much to learn, but I’m more willing to take risks and be creative." Her growth is apparent in tracks like "American Doll," a critique of expectations on women in the music industry, and her candid discussions about confidence and self-worth.
Rebecca admits that creating Salvation involved confronting her lack of self-confidence and navigating the industry’s challenges. She invested her own resources into her projects, driven by passion and the need for artistic expression. "The art you can create with a budget!" she quips, highlighting the difficulty of producing high-quality work without financial support from industry gatekeepers.
Despite these hurdles, Rebecca has carved out her space in the music scene, performing at festivals like Mighty Hoopla and joining Trixie Mattel on tour. For her, being an out queer artist involves creating a safe space for her fans, especially in these challenging times.
Rebecca’s journey is a testament to resilience and authenticity. She understands the political and social climate as a queer woman of Mexican heritage and aims to empower her audience. "Creating safety for people, especially when my journey has been about finding safety for myself, is the greatest gift," she says.
Rebecca Black has found her "salvation," embracing her identity and art with newfound strength. Her message to her fans is clear: seize your power, and take up space in the world. Salvation is more than an album; it’s a celebration of self-love and empowerment.
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