Lena Waithe and Darnell Moore: Embracing the Role of Black Queer Elders

In Lena Waithe's Los Angeles office, a powerful image of Lorraine Hansberry, the celebrated Black queer playwright, hangs prominently. Hansberry's "A Raisin In The Sun" was a groundbreaking work, marking the first play by a Black woman to debut on Broadway. This image serves as a reminder for Waithe, a fellow Chicago native, of the importance of representing diverse perspectives. "It's crucial to include everyone's viewpoint," Waithe shared in a conversation.

Hansberry's legacy continues to inspire contemporary artists like Waithe and her close friend, writer and activist Darnell Moore. "She and other brilliant minds like James Baldwin and Nikki Giovanni have laid the groundwork for our liberation," Waithe expressed. Both Waithe and Moore, now in their 40s, embrace their roles as emerging elders in the community.

Becoming Community Elders

"Being an elder is about responsibility," Waithe said. "It's more than just a title; it's about action." Moore added, "I strive to embody the best qualities of an elder, caring for others and living a life that brings goodness into the world." They both acknowledge their roles as mentors and guides for younger generations, helping them navigate their identities and challenges.

Waithe and Moore are keenly aware of the trailblazers who came before them. Waithe often reads the works of Baldwin, Giovanni, and Hansberry, finding guidance and wisdom within their pages. "Baldwin has been a constant companion in times of solitude," she revealed. "His words help me find my way when I'm lost." Moore echoed this sentiment, emphasizing the impact of living a life that matters and serves as a beacon for others.

Creating Lasting Legacies

Creating art that stands the test of time is paramount for both Waithe and Moore. Waithe, known for her work on "Master of None," "The Chi," and "Twenties," is intentional about telling stories that reflect the Black queer experience. Moore's memoir, "No Ashes In The Fire," further cements his commitment to leaving a legacy for future generations.

Moore expressed regret over the loss of potential mentors due to the AIDS epidemic, noting, "I lament the absence of those who could have guided me." Nevertheless, he credits the Black feminists in his life with providing a "grammar for freedom," teaching him self-reflection and liberation from oppressive systems.

A Bond Forged in Kinship

The bond between Waithe and Moore blossomed during the COVID-19 pandemic through virtual conversations that evolved into a deep friendship. "We realized how alike we are," Waithe remarked. "We learn from young people instead of preaching to them." Moore values the importance of showing up for others, bringing joy and support when it's needed most.

Waithe believes the visibility of Black queer artists like herself and Moore causes the "ancestors to dance." Reflecting on Hansberry's work, she notes its enduring impact on society's understanding of a brighter future, even if visions of that future differ.

Embracing Identity and Impact

Waithe challenges societal norms with her gender expression and sexuality, confronting expectations of Black women in entertainment. "To many, I may seem unique," she said, "but within my community, I'm not a novelty. My queerness is visible." Before accepting her role as an elder, Waithe first embraced her true self.

"We must shine, even when misunderstood by others," she declared. "In our queer community, we learn to be okay with who we are, regardless of external acceptance." This self-acceptance is crucial for Waithe and Moore as they continue to inspire and support their community.

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