In a surprising twist of events, country music star Carrie Underwood has found herself at the center of a heated discussion following the announcement that she will perform at Donald Trump’s upcoming inauguration. The decision has sparked disappointment and backlash from her LGBTQ+ fans, many of whom have viewed Underwood as an ally in the past.
During a broadcast on Fox News, host Jesse Watters expressed his excitement over Underwood's participation in the event. "When a straight, blonde female is singing at the inauguration, I think we're back. I think we're definitely back," Watters commented during a segment with comedian Nick Di Paolo. Watters also downplayed concerns from the LGBTQ+ community, insisting that Trump’s presidency would be "fair" and that there was no need to worry.
Di Paolo, joining in the conversation, took a jab at singer Lizzo, suggesting that the inauguration could have featured her instead. "Thank God Kamala didn’t win," he remarked, "We would’ve had to see Lizzo’s performance for 45 minutes." This comment further fueled the existing controversy, highlighting issues of diversity and representation.
Underwood's decision to perform at the inauguration has not been well-received by all. Despite her past support for LGBTQ+ rights, this move has left many feeling betrayed. "I love our country and am honored to have been asked to sing at the Inauguration and to be a small part of this historic event," Underwood stated in a press release. "I am humbled to answer the call at a time when we must all come together in the spirit of unity and looking to the future."
However, for some in the LGBTQ+ community, these words ring hollow. Gay country singer Kameron Ross expressed his dismay, saying, "People like Carrie think that being an ally means that you have a gay guy on your team or one that does your hair, but in reality, it means refusing a gig like this because of what it would mean to so many. A lot of us are expressing anger over it, but I really just think it’s because we are hurt."
Fellow musician and gay country star Adam Mac added his voice to the conversation, describing the situation as "disheartening." "I understand when she says that we need to unite as a country," Mac explained, "but honoring a man who actively works to take away the rights of a community she seemingly uplifted and supported a few years ago feels like a significant shift."
The backlash has been palpable, with some fans taking dramatic steps to distance themselves from the singer. A fan account dedicated to Underwood on the social media platform X announced its decision to switch allegiance to another country artist, Megan Maroney. "She disappointed the entire generation Z who thought she was our first country queen," the account stated. "We will be streaming @_megmoroney now. Carrie’s sales have declined and will be none now she lost support of LGBTQ+ and POC communities who loved her. We tried, but I guess love doesn’t really win."
Further complicating matters, a clip from the 2013 Country Music Awards has resurfaced, showing Underwood and fellow country artist Brad Paisley making light of Obamacare. This additional context has added fuel to the fire, leading some to question her past support for progressive causes.
In the wake of this controversy, there is a call for country music fans to support artists who unequivocally stand with the LGBTQ+ community. As Ross suggested, "I’d love it if people would use this time as they get rid of their Carrie Underwood music to support country artists that actually stand up for us, like Maren Morris going head to head over defending trans kids or Kacey Musgraves giving a nice big middle finger to Ted Cruz while performing at ACL or Kelsea Ballerini bringing Drag Race girls on stage with her despite what conservative country fans would think."
The incident highlights the ongoing struggle within the music industry and society at large to balance artistic expression with political and social responsibility. As the inauguration approaches, all eyes will be on Underwood and her performance, as well as on the broader implications for artists navigating their roles as public figures in politically charged times.
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